Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

Read More

EP: The delicately beautiful ‘Creatures of Habit’ from Brisbane artist Aren’t is an exquisite triumph. Plus news of launch date.

Read More

Premiere: Versari exclusively unveil for us their new EP Brûle: an epic filled with glorious edits and remixes casting a whole new light on the originals

Read More

Backseat Mafia premiered the fabulous single ‘Island of the Dogs’ for the brilliant Backbirds FC earlier this year, and the band has followed up with an absolute rich and immersive video for the track. Filmed in an atmospheric monochrome, the video switches from flying high over open expansive landscapes to close up shots of the …

0 0

Imbued with so much melancholy and angst you could cry, smol fish‘s ‘Like A Lemon’ is impossibly endearing and utterly disarming. Laced with an unashamed Australian accented laid back and droll delivery, the track seethes with a sort of disinterested teenage grumpiness, but in a self-deprecatory and ultimately romantic way. Singer/songwriter Clancy Davidson says of …

0 0

We are honoured to premiere the new track ‘Up’ by Bridgwater band Bridges – an epic and regal indie pop tune replete with cascading guitars and delicate vocal interplay. The heavenly harmonies between Ethan Proctor (guitar, vocals) and Chess Williams (keys, vocals) float over a vibrant and muscular guitar sound that thunders underneath: there is …

0 5

Adelaide’s Nocturnal Animals are by no means your average indie rock band. They have garnered a lot of attention not only for their unique full throttle angular attack but also their theatricality and propensity for dramatic skeletal make up that makes you think of the Mexican festivities Día de Muertos. We premiered their single ‘Articuna …

0 0

Starting in the tiny southern capital of Hobart at the edge of the world before moving, as bands often do, to Melbourne, Quivers have caught global attention with their unique brand of melancholy indie pop: a classic antipodean style of jangling guitars and yearning vocals, burnished a little more brightly than many peers with a …

2 12

I’m going to call it right now, and you heard it first here (maybe). I’ve been alluding to it in a number of reviews I’ve written over the past 18 months but there is an emerging movement – let’s call it the Marrickville Sound – that has dominated the indie scene in Australia. Emanating from …

0 0

Even As We Speak‘s glorious and incandescent album ‘Adelphi’ (released through Shelflife Records) made it to my list of the best albums of 2020 from Australia and New Zealand. It has, to quote myself, a fragile and elegant beauty that is hypnotic and immersive. It therefore comes as an immense honour to premiere a spectacular …

0 0

Both Key Out and The Electorate produced magnificent albums last year – ‘Anthropomorphia‘ and ‘You Don’t Have Time To Stay Lost‘ respectively made my list of best antipodean releases for 2020 and were shining examples of exemplary songwriting and impeccable musicianship. After 18 months of musical deprivation dry of live gigs, when I saw these …

1 3

After quite a lengthy absence since her last release, New Zealand’s Lorde has made a forceful and powerful return with the track ‘Solar Power’. A languid and liquid track, ‘Solar Power’ is a slow burning fuse that builds up to an anthemic finish with the kind of rhythmic drive of ‘Screamadelica’-era Primal Scream. The accompanying …

0 0

Reality Instructors‘ new song ‘Finished in My Head’ is a blistering, punky blast of frustration and anger: cathartic, explosive and born from some very real demons. Singer/songwriter/Guitarist Dan Pash has a degenerative hearing condition and the band’s recording sessions for their forthcoming EP ‘The Timeless Threat of…’ (out June 30 via the band’s own label, …

0 1