Album Review: Jetstream Pony – Bowerbirds and Blue Things; collective of indie legends play to their strengths while continuing to evolve.

Jetstream Pony return with Bowerbirds and Blue Things, a shimmering collection of indie pop that balances sweetness with a touch of melancholy. Since their self-titled debut, the Brighton/Croydon-based band—featuring members of The Luxembourg Signal, The Wedding Present, The Popguns, and more—has built a reputation for crafting jangly, slightly rough-edged pop that harks back to the golden age of indie while maintaining a modern urgency. Their latest album refines this formula, adding new textures and subtle sonic shifts without straying too far from their core sound.

Opening with Sit and Wonder, the album immediately sets the tone with chiming guitars, breezy melodies, and Beth Arzy’s unmistakably sweet yet wistful vocals. Frustration Can Cause Accidents follows with driving bass and bursting drums, showcasing the band’s ability to balance energy with restraint. This dynamic is a recurring theme throughout the record—songs push forward with an urgent pulse but always retain a dreamy softness. Bubblegum Nothingness is a standout, a pure indie pop gem with an infectious melody and a bittersweet undercurrent.

Musically, Bowerbirds and Blue Things is rooted in the classic indie-pop sound of bands like The Shop Assistants and The Primitives but with moments that edge into post-punk and power-pop. The contrast between buzzing basslines and shimmering guitars is particularly effective, as heard in The Relativity of Wrong, which injects a slight punkish attitude before unfolding into a hazy, beautiful chorus, and featuring Eleni Poulou, formerly of The Fall. Bonanza 2 Tango Sierra bubbles along with intricate guitar work, while Birdland 74 blends immediate, ear-catching melodies with a clipped, punchy solo that adds a layer of grit.

Lyrically, the album moves between dreamy introspection and sharper, observational storytelling. Only If You Want To leans into power-pop infectiousness, with Shaun Chatman’s lead vocal giving it a fresh dynamic, while Tendrils takes a slightly darker, more emotive turn, adding depth to the record’s overall mood. Meanwhile, Bad Common Earth Connection introduces scattered drums and synth lines that contrast with the crunching chords, showing the band’s knack for subtle experimentation within their established framework.

Closing with Look Alive!, the album ties everything together with a blend of harmonies, chiming guitars, and a slightly scuffed-up charm reminiscent of The Wedding Present. It’s a fitting end to a record that feels familiar yet fresh, consistently melodic and deeply satisfying. Jetstream Pony may not be reinventing the wheel, but with Bowerbirds and Blue Things, they’ve delivered a beautifully crafted album that plays to their strengths while continuing to evolve.