Posts in tag

drums


Feeder are back on the road in the build up to their latest release double album Black/ Red Arriving at a rainy o2 Institute in Birmingham I was confronted with the longest queue for a gig I’ve seen in a long time, anticipation for this Feeder show was high, a quick sell out show on …

The duo of Jim White (Dirty Three and regular Ed Kuepper collaborator) and Greek laouto player, Giorgos Xylouris, collaboratively known as Xylouris White have announced news of upcoming album, The Forest In Me. It is the duo’s sixth studio album, and seventh overall following the release of their self-released Live At Columbus Theatre 2013 in …

It’s not often I end up being so completely captivated by a whole evening but this was one of those rare events where each performance captured the entirety of my attention. A gig headlined by Laura James this may have been, but add to that performances from folk group Captives On The Carousel and poet Genevieve Carver …

Dalston Kingsland, half-eight on a dreary Thursday night, the capital greasily covered with filthy spring rain. This is not at all in keeping with the spirit of the record we’re here to receive, not at all.  Fortunately The Fruitful Earth couldn’t give a flying fuck what it’s like outside. The Servant Jazz Quarters stage is …

Comfortable in each other’s company and confident in the development of their music, on the cusp of releasing their next single, this three-piece are enjoying the way things are going. “It all makes sense” they tell Nick Pett. The Clore Ballroom is a calm hollow in the middle of the Royal Festival Hall building, cheerfully …

Soulful pop from sinuous-voiced Philly singer-songwriter. Keep an ear on those guitars – there’s magic hidden in those little decorations.  Back in July we met Philly singer-songwriter Heyward Howkins. He was offering a first look at two of the tracks from his new LP “Be Frank, Furness”.  He released the full-length earlier this month (you …

After a little while browsing the record stacks in the aforementioned Inkwell, I came across some, er, Stax. It was one of those record label-issued compilations of their great artists – combining a big hit with a relative ‘flop’ by each. I managed to persuade myself that no matter how brilliant the combination, I already …

In the end this album didn’t quite do enough. There was a moment when I thought “Modern Vampires of the City” might be really brilliant. But it has ended up just being very good. I’m sure the band are going to be devastated when* they read that. It boils down to a case of a …